HDX has been completely reinvigorated, which is massive.
JONATHAN WALES, RE-RECORDING MIXER (GET OUT, MEMENTO)
The demand for video content has skyrocketed. And that means the need for audio post production is greater than ever. In order to seize these opportunities, you need the best audio tools money can buy. Avid solutions give you exactly what you need in one integrated environment.
Create pitch-perfect soundtracks, whether you’re working in film, TV, video games, or web video. Tailor our audio post-production solutions to your needs for ADR, Foley, sound effects, scoring, sound design, and more.
Professional music and audio production software and hardware
Social solutions for connecting and collaborating with the creative community
Hardware devices for hands-on control of audio and video software and systems
Industry-proven shared and nearline storage systems for audio and video workflows
Professional video editing software and hardware
Got an old TDM-based Pro Tools | HD system? Boost your sound and speed—and get three years of upgrades—when you move to Pro Tools | HDX
Got an old Pro Tools or Pro Tools | HD system? Boost your sound and performance—and get three years of upgrades—when you move to Pro Tools | HD Native
Whitepaper: Future Proofing Media Workflows
See how software-defined storage can drastically improve workflows
Whitepaper: Avid Pro Mixing
Learn more about Avid’s leadership and innovation in the professional mixing space
Featured Press Release
Avid delivers advanced audio post and mixing innovations, fulfilling key promises of Avid Everywhere
Video: Behind the Scenes of The Revenant
Sound editor and sound designer Martín Hernández discusses his creative process
Audio Post Production Blogs
Read about the latest updates, tutorials, case studies, and more
Pro Mixing Brochure
Accelerate and automate mixing with Avid control surfaces
The idea of Saya is to respect and promote the profession, all the trades of post production. All the investments that were made from the beginning work towards this. Working in an Avid environment isn't a coincidence.
PASCAL BLONDELA, HEAD OF POST PRODUCTION PLANNING AND MONITORING, SAYA POST PRODUCTION
In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.
DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC